For their latest album, the members of Third Day returned to the studio for a more church-focused collection of songs- and inadvertently created something more.
You Just Can’t Plan Something LIke This
When the boys in Third Day were holed up in Atlanta, toiling for six months on their eighth studio album, they weren’t trying to make a grand statement — they just wanted to make some good songs. But sometimes God decides to invade the process and take a work places the artist never imagined. Rarely is there more conspicuous proof than in Third Day’s new album, Wherever You Are (Essential), Or the album’s first single, “Cry Out To Jesus.”
Cry For Help
In the days following the disaster of Hurricane Katrina, “Cry Out To Jesus” became a rallying cry — both for people whose lives had been devastated and for witnesses of the disaster’s aftermath who sought comfort. And — here’s the kicker — it was not even supposed to be released as a single yet. The album was not even finished.
But back in August, when radio promoters heard early clips of the song, they clamored for Essential Records to release it early as an anthem of hope for those displaced by the hurricane. “The label came and asked if we would give this song away,” says bass player Tai Anderson. “We were floored. We said, ?Go for it.'”
The label rushed the single out to radio — in several formats ranging from an instrumental track to versions with media clips mixed in. It also offered the song free of charge to churches and ministries who wanted to use the song for outreach purposes. “Cry Out To Jesus” soon became the anchor to many relief effort campaigns and at press time had already reached No. 3 on the Christian AC airplay chart.
The band also sprang into action at its very next concert, in Kansas City. “The promoters of the show let us kind of shake things up,” Anderson says. “We threw out to the audience in Kansas City, ?We’re going to make a donation tonight of $10,000 to World Vision Disaster Relief Fund. You guys reach into your pockets and, instead of buying some cotton candy, throw some money into the KFC buckets in the back of the room.’ That night, the audience raised $13,500.”
Incredible, but the next night, at a festival in South Dakota, the promoters there also gave Third Day free rein to make a similar pitch. “So we took up an offering,” Anderson says. “Again we said, ?As a band we’ll get it started. We’ll throw in $10,000. You guys match.'” The audience that night raised $28,000.
“We actually went ahead and said that the band’s going to do what we can, too. So we matched what our fans did at the shows,” Anderson says. “It’s really cool. Before we even had time to figure it out, the Third Day community raised $82,000.”
Even following that initial whirlwind of giving from Third Day fans, the band continued to do what it could. It was already offering “Cry Out To Jesus” as a free download on thirdday.com. But then the guys decided to go the next step, using the single to raise money for World Vision’s Gulf Coast relief fund. “Our whole team worked so quickly to get this to happen,” Anderson says. “We felt like we needed to match what the label has done in saying people can have the song for free?so we donated one dollar for every separate individual — up to 50,000 people — who downloaded this song.”
A Soundtrack for Our Times
Whereas a single such as “Cry Out To Jesus” would have been timely enough, what is all the more uncanny is that the entirety of Wherever You Are is infused with a solid message, delivered in the band’s trademark Southern-influenced, American rock style. From the rocker “Tunnel” and the U2-inflected “I Can Feel It” to the worshipful “Communion” and the dramatic “Carry My Cross,” every song — each a gem in its own right — connects to a greater whole.
“We have a lot of songs with a message of hope and encouragement we’re trying to get across with this record,” says guitarist Mark Lee. It’s obvious these themes were supposed to be on this album. Right? Â But to hear the members of the band tell it, they never set out to make a concept record. They just wanted to go in a different direction after 2004’s Wire, which has sold almost 430,000 copies according to Nielsen SoundScan. “With the Wire record, we had a specific audience in mind,” Anderson says. “Although we crafted the concept behind the record to challenge the audience we speak to, many of the songs were specifically targeted to appeal to the unchurched.”
So when working on Wherever You Are, which released Nov. 1, there was a conscious decision not to simply make a Wire II. “With Wire it felt to us — we’re hyper-sensitive about it — it was a successful record, a Grammy-winning record and a successful tour, all of these things,” Anderson says. “However, there was an element with Wire that was divisive among our fans. Wire was telling the gospel story but in a vocabulary you don’t have to be a Christian to get. But that’s not what everybody wants in Christian music. For a lot of people, the whole reason they like Christian music is because it’s a different vocabulary. It’s a Christian vocabulary. That’s why they like it. So there are some people Wire really rubbed the wrong way.”
Thus, as the band was touring, it was listening — and paying attention — to what fans wanted. “We’re very fan-conscious,” Anderson says. “Even though it would sound a lot cooler in interviews to say, ?This is what we’re doing, and everyone can just deal with it,’ that’s not who we are. We’re making music for people to hear. It’s not for ourselves. So we want to make music for those fans who enjoy it but maybe didn’t get Wire.At the same time, we were very conscious that we didn’t want to retreat from this message that we had in Wire.”
However, even as they were making a back-to-the-basics record, they didn’t plan to make it stick together as a thematic package. The separate songwriters in the group just pooled their best songs together and were as surprised as anybody to see a pattern emerge.
Copyright © 2005 CCM Magazine, Used by Permission
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